Description

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"A masterful and lavishly illustrated landmark surveythe first to cover the history of collage in this much depth." - Library Journal

From the seminal moment in 1908 when the young Picasso took a piece of brown card pasted with a "Magasins du Louvre" label and converted it into a new kind of picture, collage has been at the heart of modern art. Indeed, in seeking to transform the discarded scraps and residues of everyday life, the technique found extraordinary new opportunities for subversive rupture, playful artifice, and surreal juxtaposition, together with a completely new conception of the work of art as a material thing. Collage quickly became essential to the idea of the modern, leaving its mark on almost every art movement since, from Dada and Constructivism, via Surrealism, Pop, and Situationism, to the digital techniques of today.



This book, the first comprehensive survey of the technique, explores in full the theoretical implications and political messages behind the work of the past century, explaining how the process was intimately linked to other revolutions in art practice. It covers the many offshoots of collage, including assemblage, montage, photomontage, and decollage. Along the way it outlines a new vision of modern art springing from this most simple and democratic of techniques. 206 illustrations, 91 in color.

About the Author

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Brandon Taylor is the author of Real Life, which was shortlisted for the Booker Prize, longlisted for the Center for Fiction First Novel Prize, and named a New York Times Book Review Editors’ Choice, and of the national bestseller Filthy Animals, for which he won The Story Prize and was shortlisted for the Dylan Thomas Prize. He holds graduate degrees from the University of Wisconsin-Madison and the University of Iowa, where he was an Iowa Arts Fellow at the Iowa Writers' Workshop in fiction.